youvalle.levy(at)gmail.com
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The plates are produced in a limited edition of 6+ap, with each plate being unique due to the long process of making them. The process begins with taking the photographs, mainly on 35mm film, which are then transformed into 1:1 negatives. These images are delicately printed onto the Bisque ware plates using the intricate cyanotype method. This process ensures that each plate becomes unique for a distinct interplay of variables, ranging from the subtle idiosyncrasies of the ceramic surface to nuanced factors like exposure duration and chemical mix.
In 2021 Levy started taking photographs of food; Her subjects ranged from dishes found in restaurants, home-cooked meals, fresh produce from local markets, pastries, and even the bounties of her own garden. Infused with personal narratives, each photograph resonates with memories of gatherings with loved ones or just simple breakfast. By immortalising these snapshots on ceramic plates, Levy elevates the significance of these instances, creating souvenirs-like items from day-to-day events.
The name Blue Plate Special draws from the Diners in North America where the term 'Blue Plate Special' means Today's Special or Dish of the Day.
The BPS installation is a site-specific exhibition featuring six plates arranged on a dining table with a white tablecloth and silverware. Additionally, four plates are displayed on the wall, and two plates are positioned on two plinths. Each of the twelve has a unique print.
BPS launched in a group exhibition in Berlin, Germany called SUPERIOR COMFORT. The exhibition was set in a hotel room using the room as a gallery space. 2 plates from the series BPS were installed, one as if it was room service; on a tray with coffee cup, vase with a single flower on the hotel bed. And the other in the bathroom standing on a plate holder situated near the hotel bathroom sink.
Through different image styles, Levy delves into the private lives of her employers, but her discoveries are limited by what each person leaves out in the open; unaware of how much a small object reveals to an outsider.
In the style of forensic photography, objects are over exposed with an unforgiving flash, objects removed from their context are shown in vibrant clarity and degraded smartphone screen shots invite the viewer into the relationship between Levy and her clients.
Levy photographs each item with the respect and understanding of an anthropologist, endeavouring to relay the delicacy and beauty in her subjects.
Moonlighting was shortlisted for the ‘Photographic Museum of Humanity’Grant March of this 2021.
Replika Volumes are three dimensional, curated artist periodicals featuring the works of a selection of international artists and an artist catalogue which expands upon the edition with further contributors. With each issue, artists, writers, musicians and creators of all descriptions are invited to explore a given theme, and to respond with an object-based, serialised work.
Replika Artist Books are single artist/collective publications produced in close collaboration with selected artists with a particular focus of photography. From inception of the project through concept development, sequencing, layout, design, print and production to distribution and exhibition, Replika Artist Books are in small runs with a high attention to detail and materiality in order to best communicate the artist’s project. The outcome of each Replika Artist Book is an Art-Object of high conceptual and artistic content.
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by Freya Copeland and Youvalle Levy
From Spanish: Lar, m. god of the home and household ; (fig.) home, homestead.
In the third book of the series Copeland and Levy explore the meaning of Home, the way in which the feeling of home can change and the difficulties of acquiring the belonging to a new home.